Tim Burtons latest directing project “Dark
Shadows” (2012) seems to have failed to win over viewers. This is due to two reasons: firstly, people seem to be getting tired of seeing Johnny Depp in Tim
Burton films and secondly, avid viewers of the television series from the 1970s that the film is based on, are disappointed in Burtons’ lighthearted take on
the supposedly dark tale. Nevertheless with a star studded cast and Burton
being in his cinematographic comfort zone surely the film can’t all be that
bad?
So here’s the basic plot: Johnny Depp plays
Baranabas Collins, the son of a wealthy family who move from England to America
to make their fortune. The Collins family set up a small fishing village called
Collinsport in Maine where they also build the family home, Collinwood.
Barnabas initiates a relationship with the enchanting maid Angelique (Eva
Green) who unfortunately turns out to be a witch. Baranabas falls in love with another woman, Josette.
Angelique, in a jealous rage, puts a curse on the Collins family that turns Baranabas
into a vampire, imprisons him in a coffin and forces him to live with losing
his true love, Josette, for all eternity. A century passes, it's 1972, the
Collins family has lost their power in Collinsport and Angelique is now running
the town.
There are some strange characters now residing
in Collinswood: Michelle Pfeiffer plays Elizabeth Collins Stoddard who is
having trouble maintaining her grip on the family, Chloë Mortez plays her
daughter Carolyn Stoddard, and Helena Boham Carter plays the resident
psychiatrist Dr. Julia Hoffman. There
are some other characters, but all in all the family is dysfunctional and
‘quirky’. Meanwhile some construction workers accidently stumble on Baranabas’ coffin and
free him. On his return to Collinwood, Barnabas is on a mission to return the
Collin’s family business to its former glory whilst trying to bring down
Angelique. Depp, Pfeiffer, Green and Boham-Carter do a fantastic job playing
their assigned characters, but I wouldn’t have expected anything different, and
Chloë Mortez does a questionable portrayal of a 1970s teenager who seems to be
constantly stoned without smoking anything. Yet it is clear why Burton choose these high
profile actors, as without them the film would have probably flopped completely.
The plot is weak, in no way ‘dark’, and falls
down some obvious pitfalls that have led the film to receive only two or three
stars on review sites. The narrative does, sort of, start off bleak and mysterious
like the television series; there’s tragedy, death, murder, black magic and the
viewer feels Baranabas’ pain as his world crumbles around him. However once the
story moves into 1972, the serious tone projected in the television series is
forgotten and the film becomes lighthearted with the viewer being subjected to
hearing script lines that are silly and moronic, written by John August and
Seth Grahame-Smith.
The change to the light hearted tone could be due to Grahame-Smith not wanting “Dark Shadows” to compete with the other ridiculous vampire film released this year, “Abraham Lincoln: Vampire Hunter”. Safe to say the witty lines, mainly used in the trailer, are spread thinly over the course of the film. Another pitfall is the use of the very obvious choice of 1970s tracks in the soundtrack mixed with a score composed by the Grammy Award winning, Danny Elfman, who took inspiration from the original television score, and 1970s jukebox classics. The outcome is an omnipresent cheesy mash-up that contradicts the dark vampire tale of blood thirsty love and revenge. The songs chosen are songs that are too obvious and even an appearance from Alice Cooper doesn’t seem to add any vibes to the film, apart from begging the question: when will this film end?
The change to the light hearted tone could be due to Grahame-Smith not wanting “Dark Shadows” to compete with the other ridiculous vampire film released this year, “Abraham Lincoln: Vampire Hunter”. Safe to say the witty lines, mainly used in the trailer, are spread thinly over the course of the film. Another pitfall is the use of the very obvious choice of 1970s tracks in the soundtrack mixed with a score composed by the Grammy Award winning, Danny Elfman, who took inspiration from the original television score, and 1970s jukebox classics. The outcome is an omnipresent cheesy mash-up that contradicts the dark vampire tale of blood thirsty love and revenge. The songs chosen are songs that are too obvious and even an appearance from Alice Cooper doesn’t seem to add any vibes to the film, apart from begging the question: when will this film end?
Nevertheless, the main reason “Dark
Shadows” fails to make any impressions is because it is not memorable. Overall, it is a boring film and followers of Tim
Burton’s work will not see anything new. I myself, am usually a fan of Tim
Burton’s directing exploits but even for Burton standards “Dark Shadows”, I’m
sorry to say, fails to deliver. So, in the words spoken by Johnny Depp in the
film: “I’m terribly sorry, you cannot imagine how thirsty I am”, well, I’m
thirsty for Tim Burton to sink his teeth into something fresh that will
astonish me. However with the announcement of a production of “Beetlejuice 2” on
the cards, it seems Burton is going back to his roots
and proves that he is not ready to leave his comfort zone, just yet.
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